Cinema Software and Audience as Instrument   (pdf file)

by Barbara Lattanzi
Preparation for "Live Cinema Summit"
New Media Caucus, 98th College Art Association Conference, Feb.11, 2010.
[ more info ]

What is so Cinematic about Software?   (pdf file)

by Barbara Lattanzi
Presentation for "Connectivity"
Connecticut College, Ammerman Center 10th Biennial Symposium on Arts and Technology, March 31 & Apr.1, 2006.

We are all Projectionists

by Barbara Lattanzi
A version of this essay published 2003
Millenium Film Journal Issue No. 39 / 40

Critical Mass, the Software   (pdf file)

by Barbara Lattanzi
Presentation for "Gloria! The Legacy of Hollis Frampton"
Princeton University, Visual Arts Program, Nov. 5 & 6, 2004.

excerpt (pdf) from:
"New Media Public Sphere and Experience"

by Frazer Ward, on media works by 3 artists.
Paper delivered at "Performance Studies International 13",
New York, Nov.10, 2007

(Re)performing the Archive: Barbara Lattanzi & Hollis Frampton in Dialogue   (pdf file)

by Chris Hill
Revised version 2004.
Original essay published 2003
Millenium Film Journal, Issue No. 39 / 40.

Productive Unclarities, interview with Barbara Lattanzi

by Keiko Sei
SPRINGERIN magazine
2001, Issue 4 / 01 Austria

Media Dialects and Stages of Access   (pdf file)

by Chris Hill and Barbara Lattanzi
FELIX, A Journal of Media Arts and Communication
Vol. 1, No. 2: Shot/Reverse Shot/A Cross-Circuit Videologue (1992)

The following books quote from or cite this essay:

• States of Emergency: Documentaries, Wars, Democracy
  by Patricia Rodden Zimmermann
  (University of Minnesota Press, 2000) pg.212
• Art, activism, and oppositionality: essays from Afterimage
  edited by Grant Kester
  (Duke University Press, 1998) pg.266
• Transmission: Toward a Post-Television Culture
  edited by Peter d'Agostino, David Tafler
  (Sage Publications, 1995) pg.171-172
• Resolutions: contemporary video practices
  by Michael Renov and Erika Suderburg
  (University of Minnesota Press, 1995) pg.332